Critic’s Rating: ★★★★☆ (4/5)
Director: Halina Reijn
Cast: Nicole Kidman, Harris Dickinson, Antonio Banderas
Plot
Babygirl Movie Review opens with an unflinching look at Romy (Nicole Kidman), a robotics CEO in a seemingly perfect marriage with Jacob (Antonio Banderas), a theater director. But cracks quickly appear as Romy embarks on an erotic and power-laden journey with her intern Samuel (Harris Dickinson). His provocative attitude and disarming confidence unravel her controlled exterior, leading to a charged exploration of dominance, consent, and personal desire.
What Works
Babygirl stands out for its unapologetically bold storytelling. Nicole Kidman delivers a fiery performance, portraying Romy with vulnerability and complexity. Harris Dickinson is magnetic as Samuel, exuding confidence and allure that anchors the film’s themes of objectification and power dynamics. The dynamic between the two is intense and unpredictable, creating a captivating tension.
Halina Reijn’s direction weaves humor, eroticism, and psychological depth seamlessly, avoiding clichés. The film’s visual language, from intimate close-ups to grand symphonic scoring by Cristobal Tapia de Veer, heightens the emotional stakes. Memorable needle drops, like INXS’ “Never Tear Us Apart” and George Michael’s “Father Figure,” add a modern edge to the narrative.
What Doesn’t Work
The subplot of Romy’s commune-cult upbringing feels underdeveloped and unnecessary, offering little to the character’s motivations. While the film mostly maintains its balance, some moments feel overly theatrical, which might not appeal to all viewers.
Fashion and Style in Babygir
The film’s wardrobe plays a crucial role in reflecting its themes of power and seduction. Nicole Kidman’s Romy is dressed in sleek, minimalist power suits and structured dresses that emphasize her control and professional dominance. As her relationship with Samuel unravels her defenses, her wardrobe subtly transitions to softer fabrics and more relaxed silhouettes, reflecting her inner turmoil.
Harris Dickinson as Samuel embraces a bold, provocative style. From casual shirts unbuttoned just enough to exude charm to the unforgettable scene where he dances shirtless with a glass of Scotch, his wardrobe and demeanor make him the perfect “object of desire.” Antonio Banderas’ Jacob, meanwhile, sports artistic, slightly disheveled outfits that reflect his theatrical roots, creating a contrast to Romy’s rigid control.
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Final Verdict
Babygirl is a daring exploration of power, desire, and self-awareness. With bold performances from Nicole Kidman and Harris Dickinson, coupled with Halina Reijn’s masterful direction, the film strikes a perfect balance between eroticism and introspection. While not without its flaws, Babygirl is a compelling high-wire act that leaves a lasting impression.
